Mentioned only by Audsley, who says:

A Dolce Grand Cornet composed of complete, through ranks of true Dolce pipes, of small scale, would be of great value in any of the softer toned divisions or subdivisions, expressive, of the Concert-room Organ, in which its presence would tend to complete the harmonic structure.

Composition

4' + 2-2/3' + 2' + 1-3/5' + 1-1/3'

Examples

Bibliography